I don’t always have a lot to say about every book I read, so I’ve decided to compile those shorter thoughts on various books into one big post. Not as detailed as a formal review and not as comprehensive as a wrap-up but just a fun peek into my brain about some of my latest reads. Click on the cover of each for a better synopsis on Goodreads and if you ever want to see my thoughts on things as and right after I read them you can follow me on Goodreads while you’re there.
Once again, Cassandra Clare has used her supernatural world to its fullest extent, creating complicated problems with the rules of the world and not sparing her characters the consequences. The cast in this is probably her largest to date; one large sibling group and a few satellite friends and tutors. It reads a lot stronger than her other two series openers, mostly because it doesn’t endeavor to introduce its readers to the Shadowhunter world and instead it jumps right in. Lady Midnight opens five years after her earlier Mortal Instruments series, and focuses primarily on characters who already live in and know the workings of the shadow world and society. Most of these characters already know each other, which makes their relationships more complicated and much more fascinating. We have family members returning home much changed from when they left, younger children growing up and challenging the status quo set by their parental figures, friends navigating their romantic feelings for each other. It’s not the uninitiated damsel rescued by the warrior demon-hunter of series past, it’s something else entirely and I am very excited to see where this series goes.
A dark mystery about a woman haunted by the questionable guilt of her brother in the massacre of her family twenty years previously. As in Flynn’s most popular psychological thriller–Gone Girl (which I reviewed in 2014)–none of the characters in this are particularly likeable, but that makes what they do even more interesting. The plot is constructed intelligently as well; I was certainly kept guessing. Its shorter length made it much more engrossing for me than Gone Girl was and I’m glad I gave this one a shot.
A collection of poetry (and other media) about race in America. It’s use of second person perspective puts the reader right in the middle of the scene, for maximum emotional impact. It’s the kind of poetry that makes you stop and reread a passage because the metaphor is unique and fascinating or the language itself is perfectly composed. Even then, it’s a quick read and very much worth your time.
The way this book was laid out on the page pushed it past pretty good space-thriller into something really fascinating. White text loops across two facing black pages as a computer contemplates its own consciousness. Fighter pilots’ radio transmissions explode across the pages, emulating the fight itself. It’s entirely a collection of computer documents, chat conversations and (cleverly) notes on video feed. The characters are full of personality though, even as we see them only through dialogue or totally wordless actions. But at the end of the day this is going for thrilling and the plot reminded me a lot of the show Firefly, just on a larger scale, which made it not totally unique to my eyes, but incredibly entertaining nonetheless.
I read the first two books in this series in about three days a year ago, so I had forgotten a lot of things going into this series finale, but I was able to pick up the thread pretty quickly as the characters were also experiencing a big upheaval and change of scene. It was a well handled finale; a little too quick to gloss over the finer political details, but satisfying from a character perspective. Two people learn to fight and handle the consequences of war even as their love for each other and their hope for the future transform them as well. The Winner’s trilogy is spectacular as a whole, very smart, very well written and very underrated.